视频简介
寻找红色行李箱的行动仍在继续。前东德间谍克丽欧决心找回并彻底摧毁它，而西柏林警察斯文则想尽一切办法挽回克丽欧对自己的看法，重新与她合作—她正是自己工作中所缺少的那剂肾上腺素。由于红色行李箱中的物品在冷战后德国和欧洲的重组中发挥着关键作用，因此克格勃和中情局都在追查这个手提箱，而克丽欧很快成为两个特工部门的目标。但这还不是全部：虽然克丽欧掌握着欧洲的未来，但她却不情愿地被深深卷入自己的过去。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。