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视频简介

Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。当田桂知道自己竟不是母亲田秋月的亲生儿子，追问原由，他百感交集。早年参加革命的匡华、廖一萍夫妇寻子数年，终于打听到了田桂的下落。田秋月忍痛推迟田桂与养女翠翠的婚期，带儿子与现已身居要职的匡华、廖一萍夫妇相见。认亲后，廖一萍想用自己优越的政治地位和经济条件留下儿子，并试图割断他与养母、翠翠的联系，但田桂日思夜想乡间的养母和翠翠。出差回家的匡华察觉原委，严厉批评了妻子，并让田桂接秋月母女进城同住，廖却只同意翠翠上门，而不同意秋月进城。善良的秋月送田桂和翠翠来到匡家，不经意发现廖一萍竟是当年自己舍身救下的姐妹。。